BY JEN CALHOUN

For centuries, artists gathered in big cities to share ideas, sell their art and connect with other creatives. But with greater access to faster internet, more and more creative people are choosing to live in rural areas where the cost of living is low and connectivity is just a click away.

Take John George Larson, for example. He, an accomplished sculptor and painter from rural Minnesota, chose to live with his family in a nearly century-old farmhouse about three hours east of Minneapolis. “Part of my process as a ceramic sculptor involves working with a kiln that uses wood as fuel,” Larson says. “These kilns are kind of dirty and large, and I can’t really do that in a residential area.”

Larson is one of a growing number of rural residents who use the internet to help fuel creative careers. From candlemakers to photographers to musicians, millions of people have found a way to share their talents and make a living online.

According to a recent article on the website The Motley Fool, Etsy, the online marketplace that offers artisans and crafters a place to sell their handmade items, continues to grow. Revenue in its fourth quarter of 2018 came in at $200 million — an increase of more than $63 million from the previous year’s fourth quarter. The company’s chief executive officer, Josh Silverman, expects more increases through 2019.

If it sounds unbelievable that artists are no longer mostly starving, think again, says Mark McGuinness, a poet, podcaster and creative coach. The internet has not only opened doors to creativity, but it’s also opened the doors for artists of all kinds. Period.

“We are now living at a time of unprecedented opportunity for artists and creative professionals,” McGuinness writes in a blog post on his website, wishfulthinking.com. “Once upon a time, if you wanted to get your work in front of an audience, you had to submit it to an editor, agent, manager, curator, talent scout, whoever. A gatekeeper who had the power to open the gate and usher you through, or slam it in your face.”

The gateway shouldn’t close anytime soon, either. According to the 2018 Global Digital report, more than 4 billion people around the world now use the internet, making the possibility of sharing ideas and selling creative goods greater than ever before. Today, musicians from Texas can share music or give lessons to someone in Tanzania. Folk artists in Alabama can sell paintings to a collector in Albania.

For Larson, a rural area offers other benefits. His work requires some solitude, not to mention the natural clay found in the area where he lives. “I don’t use that clay in all my work, but I try to incorporate it as much as possible,” he says. “That’s kind of a big reason why we chose to live in a rural area.”

But Larson, who studied ceramics at Utah State University and under the tutelage of a sculptor in Japan, is far from being isolated from other artists or even art buyers. Thanks to a fast fiber optic internet connection provided by a rural broadband company, he learns new things and explores new ideas every day through online articles. He also connects with others and showcases his craft through his Instagram account, @johngeorgelarson, and his website, johngeorgelarson.com.

“When we moved here, we didn’t realize this kind of high-speed internet was already offered at the house,” Larson says. “I don’t even think I realized how important it would be until after we started using it. Now, we use it every day, all the time. I use it for research for my own work or commission work that I do for other people and businesses. I read a lot of research articles about different topics, and it helps me develop a project or a design.”

While marketing his work used to tire him, Larson is finding ways to make art through apps. “I just started doing animation of my artwork on Instagram,” he says. “One of the things I’ve been thinking of lately is motion and movement in my work. Some of my pieces are made to be viewed from a variety of different angles. So, if you place them on a shelf one way, they’ll look different than if you place them another way. It’s an allegory for our lives and human experience because we can experience life from different perspectives.”

Cynthia Parsons, an award-winning artist and painter who lives in a rural region of northern Alabama, says the internet has opened a whole world of connectivity and possibility.

On her YouTube channel, Open Art Studio of Cynthia Parsons, she offers videos of students working through challenges during class or clips of cotton fields at sunset so others can paint them. She might film a farmer harvesting his corn or make an instructional video about how to save old watercolor paint. She also records regular videos of her son, Elbert, as he recovers from an injury that nearly took his life years ago.

Parsons, who regularly sells her artwork and has taught classes everywhere from Birmingham, Alabama, to France, believes art is everywhere. “You can’t look through your eyes and not see art or the potential of some kind of creation,” she says. “It might be someone doing crafts and using popsicle sticks or carving a bar of soap. All those things are art, and all that creative energy we use when we do it resounds through the universe.”

Parsons finds joy in moving her work and the work of others through time, space and physical boundaries. “For me, the internet is about sharing,” she says. “That’s what it’s been able to do for me. It lets me share these moments of decision-making from my students. The videos of my students are about one minute or two minutes or maybe three. When I show people what they’re dealing with, it lets others see how they might solve any problems they might be having with their work.”

Creative industries and people make jobs for Americans. Here are a few facts:

• The value of arts and cultural production in America in 2015 was $763.6 billion, amounting to 4.2% of the gross domestic product. The arts contribute more to the national economy than do the construction, mining, utilities, insurance, and accommodation and food services industries.

• Artists are highly entrepreneurial. They are 3.5 times more likely than the total U.S. workforce to be selfemployed.

• Arts and cultural goods and services drive industries primarily focused on producing copyrighted content, accounting for just over half of their combined $1.17 billion value.

• 97% of U.S. employers say creativity is increasingly important to them. Of the employers looking to hire creatives, 85% say they are unable to find the applicants they seek.

Sources: National Endowment for the Arts, Artists and Arts Workers in the United States, 2011, The Conference Board, Ready to Innovate, 2008, National Endowment for the Arts, The Arts Contribute More Than $760 Billion to the U.S. Economy, and U.S., Department of Commerce, Bureau of Economic Analysis, Value Added by Industry as a Percentage of Gross Domestic Product, 2017, U.S. Department of Commerce, Bureau of Economic Analysis, Data for 1998-2015, 2018